しょ じょじ の たぬき ばやし。 SHOWROOM

証城寺の狸囃子(しょうじょうじのたぬきばやし) 歌詞と試聴

しょ じょじ の たぬき ばやし

山にはタヌキがいっぱいいて、夜になると寺へやって来ては腹つづみを打ったり、暴れまわったりとイタズラのしほうだい。 おかげでこの寺には おしょう さんがいつかず、寺は荒れ放題です。 身分の高い和尚さんが、この寺の事を聞いて、 「よろしい、わしが行ってしんぜよう」 と、しょうじょう寺へやって来ました。 「うむ、これは聞きしにまさるひどさじゃ」 あまりにもひどい寺の荒れように、和尚さんはあきれ顔です。 裏山のタヌキたちは顔を見合わせてニヤリと笑うと、さっそく新しい和尚さんを追い出す相談をはじめました。 「おい、ポン太とポン子、いつものやつやってみろ!」 「へ〜い!」 ドロンパッ! ポン太とポン子は、何やら姿を変えてしまいました。 「おう、見事じゃ。 「ギャアーーーー!」 目の前に現れたのは、一つ目小僧です。 そこへ、美しい娘も現れて、 「和尚さん、お茶をどうぞ」 と、言いながら、首をニョロニョロとのばしてきたではありませんか。 「た、た、たすけてくれ〜っ」 和尚さんは寺の石段を転がるようにかけおりて、逃げ出してしまいました。 寺の庭に集まったタヌキたちは大笑いしながら、とくいになって腹つづみを打ちました。 さて、次に現れたのは、力の強そうなごうけつ和尚でした。 和尚さんが寺につくと、さっそくタヌキたちはおどかしにかかりました。 ところが一つ目小僧に化けたポン太は頭をコツンとなぐられ、娘に化けたポン子が首をニョロニョロのばすと首をねじまげられるしまつです。 「うえーん、いたいよう!」 二匹は、なきなき帰っていきました。 タヌキの親分は、考えました。 「う〜ん、あの和尚、何に化けてもこわがらん。 ・・・そうだ、一晩中腹つづみを打ち続けるんだ。 そうすれば和尚のやつ、眠れなくなってまいっちまうぞ」 その夜、タヌキたちはいっせいに腹つづみを打ちはじめました。 むっくり起きあがって戸を開けると、 「こらっ! 庭で遊んじゃいかん」 タヌキたちはすばやく逃げ出して、木のかげにかくれてしまいました。 「こらっ、待て! こらっ、逃げるな! タヌキたちのやつ、ばかにしやがって」 和尚は庭中、タヌキを追いかけまわしましたが、タヌキたちのすばやさにはとてもかないません。 そのうち石につまずいて転んで、目をまわしてしまいました。 こうして和尚は、またまたタヌキたちにやられてしまったのです。 さて、その次に現れたのは、なんともきたない和尚さんでした。 この和尚さんは、きたないこの寺をすっかり気に入ってしまいました。 「おう、しずかでいい寺じゃ」 タヌキたちはさっそく、この新しい和尚さんを追い出す相談です。 いつものように、まず一つ目小僧のポン太が出て行きましたが。 「おう、これはかわいい一つ目小僧じゃ。 そら、ダンゴでも食わんか?」 ポン太は和尚さんにダンゴをもらって、とことこ帰ってきました。 今度は、ポン子姉さんです。 ところが和尚さんは、大喜び。 「さあ、首の長いお姉さんも、一ぱいいこう」 と、ポン子にお酒を飲ませるしまつ。 タヌキの親分は、怒りました。 「ようし、こうなったらあの手だ」 と、いうわけで、その夜、和尚さんが寝付いた頃。 「こりゃ、おもしろい。 わしも仲間に入れてくれ」 ずいぶんとかわった和尚さんで、庭におりてくるとタヌキたちと一緒に腹つづみを打ちはじめました。 「なんだなんだ、その音は。 わっはっはっは」 タヌキたちに笑われて、和尚さんはいっしょうけんめいたたきました。 「よせよせ、腹がこわれてしまうぞ」 タヌキの親分がとめるのも聞かず、和尚さんはたたきつづけます。 そのうち、お腹をたたき続けた和尚さんは、とうとうフラフラになって倒れてしまいました。 「それ、言わんこっちゃない。 このままじゃ、かぜをひいてしまうぞ。 和尚さんを、寺の中へ運んでやれ」 和尚さんを追い出そうとしたタヌキたちでしたが、和尚さんを親切にかいほうしました。 次の日の朝。 「はて、わしはいつここへもどったんじゃろう? まあ、それはどうでもいいわ。 もう少し、腹つづみがうまくならんといかんな」 と、いうわけで、和尚さんは朝早くから腹つづみの練習をはじめました。 「強くたたけばいいってもんじゃないな。 コツじゃ、コツ。 そいつを覚えねば」 和尚さんは昼飯もそこそこに、また腹つづみのけいこです。 やがておてんとさまが西にかたむく頃、和尚さんのお腹はかなりいい音が出るようになっていました。 さて、今夜は満月です。 和尚さんもタヌキたちも早くから寺の庭にせいぞろいして、みんなで楽しく腹つづみです。 和尚さんのお腹の音がずいぶんよくなったので、タヌキたちも負けてはいられません。 「和尚さんに、負けるな、負けるな」 と、ひっしでお腹をたたいているうちに、タヌキの親分のお腹はどんどんふくれていきました。 それでも、たたき続けます。 そしてついに。 バーン! とうとうお腹がはれつして、タヌキの親分はひっくり返ってしまいました。 「こりゃ、大変じゃあ! 薬、薬」 和尚さんは大急ぎで薬を持って来て、タヌキのお腹にぬってやりました。 「どうだ、具合は?」 心配そうにたずねる和尚さんに、タヌキの親分はニッコリして言いました。 「和尚さんのおかげで、もう治った。 さて、続きをやるぞ。 それっ、あいててて!」 タヌキの親分は腕をふりあげましたが、まだむりのようです。 「次の満月まで、しんぼうしなさい。 みんな、今夜は親分のお腹が早く治るよういのって、元気よくやろう」 こうしてタヌキたちとゆかいな和尚さんは、朝まで元気良く腹つづみを打ち続けました。 そしてしょうじょう寺というこのお寺では、今も満月の夜にはタヌキたちが庭に集まって、腹つづみをうつという話です。

次の

証城寺の狸囃子(しょうじょうじのたぬきばやし) 歌詞と試聴

しょ じょじ の たぬき ばやし

storefronts. editorial. groupings. extend. editorialartwork. 2cartisturl. include. 5balbums. artists. en-us. name. music. platform. mzstatic. 1518662286? apple. mzstatic. b2ed80ad411e44fdadcdb1b0e0c757ad? mzstatic. apple. mzstatic. mzstatic. As preternaturally talented New York MCs who first made their names in the post-Notorious B. era, the two have managed—near miraculously—to avoid the kind of professional squabbles that put so many fanbases at odds throughout the aughts. A great many unofficial mixtapes and playlists have featured their cuts stacked up against each other in service of an even greater number of barbershop arguments about who had the biggest impact on New York—and no less importantly, hip-hop at large. But you can reacquaint yourself with the highlights on the official Fabolous and Jadakiss Cheat Sheet playlist, as curated by Apple Music host Lowkey. And be sure to tune in for the main event, Verzuz: Fabolous x Jadakiss, on Monday, June 29, at 8 pm ET. apple. mzstatic. 5afa2dafaf1d46f5a6b34a4ef31d9a75? mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. We have the most fun when nothing is off limits. Amid it all, gorgeous saxophone solos waft across the album, transporting you straight to the streets of their hometown on a sunny day. Everything about the album was just spontaneous and about not taking ourselves too seriously. These songs are about depression, seeking help, grief, failing relationships, and health issues Este has type 1 diabetes. The album proved to be the release they needed from all of those experiences—and a chance to celebrate the unshakable sibling support system they share. We held up a mirror and took a good look at ourselves. It came out of this feeling when we were growing up that Los Angeles had a bad rep. And if LA is an eyeroll, the Valley—where we come from—is a constant punchline. But I always had such pride for this city. And then when our first album came out, all of a sudden, the opinion of LA started to change and everyone wanted to move here. The album and this song are really guitar-driven [because] we just really wanted to drive that home. Just playing it feels empowering. Este came up with just that simple bassline. And we kind of wrote the melody around that bassline, and then added those 808 drums in the chorus. Sometimes for me, being at home alone is the most comforting. We shout out Joni Mitchell in this song; our mom was such a huge fan of hers and she kind of introduced us to her music when we were really little. I'd always go into my room and just blast Joni Mitchell super loud. And I kept finding albums of hers as we've gotten older and need it now. I find myself screaming to slow Joni Mitchell songs in my car. This song is very nostalgic for her. The guitar solo alone is really fun. The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life. I love the way that the drums sound. I feel like we really got that right. That slowed-down ending is due to Ariel. I remember I had gone to go get food, and when I came back Danielle had written the bridge. Okay! There have been around 10 versions of this song. Someone was having a booty call. It was probably me, to be honest. We started out with this beat, and then we wrote the chorus super quickly. And we had to audition a bunch of dudes. They were the worst! We can tinker around with a song for years, and with this one, every time we added something or changed it, it lost the feeling. And every time we played it, it just kind of felt good. It felt like a warm sweater. The day that we started it, I was thinking that I was going to get back together with the love of my life. I mean, now that I say that, I want to barf, because we're not in a good place now, but at that point we were. We had been on and off for almost 10 years and I thought we were going to give it another try. And it turns out, the week after we finished the song, he had gotten engaged. So the song took on a whole new meaning very quickly. I think Ariel had a lot of fun producing this song. The end of the song is supposed to feel like a celebration. We wanted it to feel like a dance party. Because even though it has such a weird meaning now, the song has a hopeful message. Who knows? I am still hopeful. As sisters, we are the CEOs of our company: We have super strong personalities and really strong opinions. And finding someone that's okay with that, you would think would be celebrated, but it's actually not. It's really hard to find someone that accepts you and accepts what you do as a job and accepts everything about you. And we just wanted to keep it like that, so we played acoustic guitar straight into the computer for a very dry, unique sound that I love. This was super quick with stream-of-consciousness lyrics. I wanted it to sound like you were in the room, like you were right next to me. It's very therapeutic to just kind of scream it in song form. The backing vocals on this are like the other side of your brain. We got asked questions about it early on, and there was this one interviewer who asked if I made the faces I made onstage in bed. My defense mechanism when stuff like that happens is just to try to make a joke out of it. Now, had someone said that to me, I probably would've punched them in the face. But as women, we're taught kind of just to always be pleasant and be polite. And I think that was my way of being polite and nice. Thank god things are changing a bit. We've been talking about shit like this forever, but I think now, finally, people are able to listen more intently. We got the feeling we wanted in the first take. And I've talked to so many other women about the same experience. I hate going in the guitar stores. Whatever felt good on this track, we just put it in. The production is bananas and bonkers, but it did really feel good. But to us it was exciting to have that crazy guitar solo and those drums. And the song basically explains what it feels like and just not knowing how to get out of it. You're just kind of drowning in this relationship, because the highs are high and the lows are extremely low. And knowing that you're so hard on yourself about the littlest things. But your partner can do no wrong. But it felt like the end to the chapter of the record—a good break before the next songs, which everyone knew. And you need to get your shit together and you need to look it in the face and know that you're here and work on yourself. We're very lucky that we each have two sisters as backup always. We wrote this with our friend Tobias Jesso Jr. , and we all just decided to write verses separately, which is rare for us. I wrote about losing a really close friend of mine at such a young age and going through a tragedy that was unexplainable. I still grapple with the meaning of that whole thing. It was one of the hardest times in my life, and it still is, but I was really lucky that I had two siblings that were really supportive during that time and really helped me get through it. If you talk to anybody that loses someone unexpectedly, you really do become a different person. I feel like I've had two chapters of my life at this point: before it happened and after it happened. But we loved everything about it. You can lose your confidence really quickly, but thankfully, people really liked it. Putting out this song really did give us back our confidence. I just couldn't stop thinking about how he was feeling. I get spooked really easily, but I felt like I had to buck the fuck up and be this kind of strong figure for him. I had to be this kind of sunshine, which was hard for me, but I feel like it really helped him. Being the summer when he was just in this dark, dark place. apple. mzstatic. ppypeevv. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. He has guested on what is very likely only a fraction of the requests he received in that time, but fans would find scene-stealing verses across projects from Summer Walker, Snoh Aalegra, and the Dreamville crew, among others. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. Now you can explore seamless mixes and live sets by your favorite DJs and producers here on Apple Music. When you find a mix you like, save it to your library, and check back regularly for new additions. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. b2ed80ad411e44fdadcdb1b0e0c757ad? mzstatic. apple. mzstatic. mzstatic. As preternaturally talented New York MCs who first made their names in the post-Notorious B. era, the two have managed—near miraculously—to avoid the kind of professional squabbles that put so many fanbases at odds throughout the aughts. A great many unofficial mixtapes and playlists have featured their cuts stacked up against each other in service of an even greater number of barbershop arguments about who had the biggest impact on New York—and no less importantly, hip-hop at large. But you can reacquaint yourself with the highlights on the official Fabolous and Jadakiss Cheat Sheet playlist, as curated by Apple Music host Lowkey. And be sure to tune in for the main event, Verzuz: Fabolous x Jadakiss, on Monday, June 29, at 8 pm ET. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. itunes. apple. m3u8? itunes. apple. m3u8? mzstatic. rgb. apple. mzstatic. mzstatic. Stranger still, the audience dozed on cots. When writing, Richter consulted with sleep neuroscientist David Eagleman, folding cutting-edge research on slow-wave phases of sleep—states crucial to learning and memory—into the very shape of the piece. The slow tempo is intended to have a lulling effect, drawing listeners into drowsiness and holding them there. apple. mzstatic. eufgglod. mzstatic. mzstatic. mzstatic. apple. mzstatic. 457c8a2477be45038796305712e2d6af? mzstatic. apple. mzstatic. mzstatic. Raised on U. With songs that roll slow and lyrics that mix technical prowess with towering confidence, Megan was soon collaborating with some of contemporary rap's biggest names. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. 2b0e6e332fdf4b7a91164da3162127b5? mzstatic. apple. mzstatic. mzstatic. mzstatic. Listen to it now and add this playlist to your library to stay up on the latest must-hear new songs. f4d106fed2bd41149aaacabb233eb5eb? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. abe8ba42278f4ef490e3a9fc5ec8e8c5? mzstatic. apple. mzstatic. mzstatic. mzstatic. And if you hear something you like, add it to your library. 5ee8333dbe944d9f9151e97d92d1ead9? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Check back often, as our editors update this playlist regularly—and if you hear something you like, add it to your library. 28926c578a80475c904026ea97646ad5? mzstatic. apple. mzstatic. mzstatic. Every day new bands are taking shape and plugging in. These are the few that are destined for greatness. Formerly The A-List: Rock, this playlist is updated regularly, so if you like a song, add it to your library. 87bb5b36a9bd49db8c975607452bfa2b? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. It tends to get the crowd going from the start. I hope that people can find strength in this song. Check back here early and often, and if you hear something you like, add it to your library. 0e91490f3310408eb1186fc9befb3d11? mzstatic. apple. mzstatic. mzstatic. Songs and sounds of the moment, if not the next. 6bf4415b83ce4f3789614ac4c3675740? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Then, late this winter, during a writing session with CamelPhat, the Foals frontman found his moment. fecfa8a26ea44ad581d4fe501892c8ff? mzstatic. apple. mzstatic. mzstatic. In other words, certain types of pop music can speak to the heart in ways that make you feel grateful just to be alive. From soaring ballads to surging dance anthems with touches of electronic and indie rock, here are the biggest tracks inspiring us today: the sound of good news. Our editors update these tracks regularly. If you hear something you like, add it to your library. 4b364b8b182f4115acbf6deb83bd5222? mzstatic. apple. mzstatic. mzstatic. mzstatic. R mixtape, the Colombian artist recruits Maluma, Nicky Jam, Sech, and the aforementioned Balvin for this expansive version. This playlist is updated often, so if you hear something you like, add it to your library. 0b593f1142b84a50a2c1e7088b3fb683? mzstatic. apple. mzstatic. mzstatic. So check back often, and if you hear something you like, add it to your library. b7ae3e0a28e84c5c96c4284b6a6c70af? mzstatic. apple. mzstatic. mzstatic. 58c2477d86ea46db997048afd159d01d? mzstatic. apple. mzstatic. mzstatic. Our editors update these tracks every week. If you find a new favorite to crank, add it to your library. 5cb9c0f3ca9d4fc1bccbaf67ca6201e7? mzstatic. apple. mzstatic. We'll update this playlist often, so if you hear something you like, add it to your library. 07405f59596b402385451fa14695eec4? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Rhythmically daring and emotionally intense, today's jazz is an art that perpetually surprises and evolves. Our editors regularly refresh this playlist. If you like a track, add it to your library. 51c1d571cc7b484eb1dead1939811f2d? mzstatic. apple. mzstatic. mzstatic. Fortunately, heavy music's new class keeps plenty of huge riffs and rage-worthy choruses coming every week—and we've collected the best and most brutal of 'em here. Our editors regularly update this playlist. If you hear a track you like, add it to your library. eb88af9a17e6401da701a7e768e2d53c? mzstatic. apple. mzstatic. mzstatic. But you also like rap. And rock, and even a little electronic. Come to think of it, who put all these boundaries up in the first place? Our editors are updating tracks all the time, so if you hear something you like, add it to your library. c91209d0acdd4aa789b11ca9ec351028? mzstatic. apple. mzstatic. mzstatic. From open-arms guitar anthems to leftfield dance, intimate folk-rock to pop pastiche, here's an eclectic set of tracks that capture that indie spirit, whether made by its long-standing ambassadors or their modern-day acolytes. Our editors regularly refresh this playlist. If you like a song, add it to your library. 6e8b41fadbe0454abeb3f98ce5296818? mzstatic. apple. mzstatic. Updated weekly. f19f6b5be8474fe789e36a6242f6113e? mzstatic. apple. mzstatic. mzstatic. mzstatic. We update this collection every week. If you like a track, add it to your library. mzstatic. apple. mzstatic. mzstatic. We have the most fun when nothing is off limits. Amid it all, gorgeous saxophone solos waft across the album, transporting you straight to the streets of their hometown on a sunny day. Everything about the album was just spontaneous and about not taking ourselves too seriously. These songs are about depression, seeking help, grief, failing relationships, and health issues Este has type 1 diabetes. The album proved to be the release they needed from all of those experiences—and a chance to celebrate the unshakable sibling support system they share. We held up a mirror and took a good look at ourselves. It came out of this feeling when we were growing up that Los Angeles had a bad rep. And if LA is an eyeroll, the Valley—where we come from—is a constant punchline. But I always had such pride for this city. And then when our first album came out, all of a sudden, the opinion of LA started to change and everyone wanted to move here. The album and this song are really guitar-driven [because] we just really wanted to drive that home. Just playing it feels empowering. Este came up with just that simple bassline. And we kind of wrote the melody around that bassline, and then added those 808 drums in the chorus. Sometimes for me, being at home alone is the most comforting. We shout out Joni Mitchell in this song; our mom was such a huge fan of hers and she kind of introduced us to her music when we were really little. I'd always go into my room and just blast Joni Mitchell super loud. And I kept finding albums of hers as we've gotten older and need it now. I find myself screaming to slow Joni Mitchell songs in my car. This song is very nostalgic for her. The guitar solo alone is really fun. The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life. I love the way that the drums sound. I feel like we really got that right. That slowed-down ending is due to Ariel. I remember I had gone to go get food, and when I came back Danielle had written the bridge. Okay! There have been around 10 versions of this song. Someone was having a booty call. It was probably me, to be honest. We started out with this beat, and then we wrote the chorus super quickly. And we had to audition a bunch of dudes. They were the worst! We can tinker around with a song for years, and with this one, every time we added something or changed it, it lost the feeling. And every time we played it, it just kind of felt good. It felt like a warm sweater. The day that we started it, I was thinking that I was going to get back together with the love of my life. I mean, now that I say that, I want to barf, because we're not in a good place now, but at that point we were. We had been on and off for almost 10 years and I thought we were going to give it another try. And it turns out, the week after we finished the song, he had gotten engaged. So the song took on a whole new meaning very quickly. I think Ariel had a lot of fun producing this song. The end of the song is supposed to feel like a celebration. We wanted it to feel like a dance party. Because even though it has such a weird meaning now, the song has a hopeful message. Who knows? I am still hopeful. As sisters, we are the CEOs of our company: We have super strong personalities and really strong opinions. And finding someone that's okay with that, you would think would be celebrated, but it's actually not. It's really hard to find someone that accepts you and accepts what you do as a job and accepts everything about you. And we just wanted to keep it like that, so we played acoustic guitar straight into the computer for a very dry, unique sound that I love. This was super quick with stream-of-consciousness lyrics. I wanted it to sound like you were in the room, like you were right next to me. It's very therapeutic to just kind of scream it in song form. The backing vocals on this are like the other side of your brain. We got asked questions about it early on, and there was this one interviewer who asked if I made the faces I made onstage in bed. My defense mechanism when stuff like that happens is just to try to make a joke out of it. Now, had someone said that to me, I probably would've punched them in the face. But as women, we're taught kind of just to always be pleasant and be polite. And I think that was my way of being polite and nice. Thank god things are changing a bit. We've been talking about shit like this forever, but I think now, finally, people are able to listen more intently. We got the feeling we wanted in the first take. And I've talked to so many other women about the same experience. I hate going in the guitar stores. Whatever felt good on this track, we just put it in. The production is bananas and bonkers, but it did really feel good. But to us it was exciting to have that crazy guitar solo and those drums. And the song basically explains what it feels like and just not knowing how to get out of it. You're just kind of drowning in this relationship, because the highs are high and the lows are extremely low. And knowing that you're so hard on yourself about the littlest things. But your partner can do no wrong. But it felt like the end to the chapter of the record—a good break before the next songs, which everyone knew. And you need to get your shit together and you need to look it in the face and know that you're here and work on yourself. We're very lucky that we each have two sisters as backup always. We wrote this with our friend Tobias Jesso Jr. , and we all just decided to write verses separately, which is rare for us. I wrote about losing a really close friend of mine at such a young age and going through a tragedy that was unexplainable. I still grapple with the meaning of that whole thing. It was one of the hardest times in my life, and it still is, but I was really lucky that I had two siblings that were really supportive during that time and really helped me get through it. If you talk to anybody that loses someone unexpectedly, you really do become a different person. I feel like I've had two chapters of my life at this point: before it happened and after it happened. But we loved everything about it. You can lose your confidence really quickly, but thankfully, people really liked it. Putting out this song really did give us back our confidence. I just couldn't stop thinking about how he was feeling. I get spooked really easily, but I felt like I had to buck the fuck up and be this kind of strong figure for him. I had to be this kind of sunshine, which was hard for me, but I feel like it really helped him. Being the summer when he was just in this dark, dark place. apple. mzstatic. ppypeevv. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. In Association with Night Time Stories, Ltd. The result is their most direct work to date. apple. mzstatic. zeqspjxw. mzstatic. rgb. apple. mzstatic. mzstatic. He has guested on what is very likely only a fraction of the requests he received in that time, but fans would find scene-stealing verses across projects from Summer Walker, Snoh Aalegra, and the Dreamville crew, among others. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. apple. mzstatic. pdagxjol. mzstatic. mzstatic. mzstatic. mzstatic. apple. apple. mzstatic. zavsxmva. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. apple. mzstatic. ecydthof. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. nhcuhbsu. That voice which seems like it fell off of the classic rock convoy of 1972, but crossed with the gruff soul men of a generation before. It's hard not to feel something when he sings. LaMontagne knows this, but he doesn't go overboard. There's always that possibility that he could jump into the fire like Joe Cocker used to, but LaMontagne instead deals with musical atmospheres that revel in their love for soul and folk music, keeping things roots-y and never over the top. His voice and his songs simply add one more layer to the down-home, soulful mix. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. apple. mzstatic. glcjiktl. mzstatic. apple. mzstatic. mzstatic. She consistently looks to the mirror first for answers, for clarity, for grace. Despite the sometimes heavy subject matter, UMI's music is beatific; her voice is feather-light and seems to float across productions that are equally mellowed. Levity exists in sound and lyric like peace offerings to both self and listeners. Hers isn't music for hurting but for healing. apple. mzstatic. mzstatic. apple. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. All rights reserved. Producer Jay Joyce listened to the impassioned way that Townes strummed her songs on acoustic guitar, and added a kinetic sense of rhythm. I love the way the music makes me feel around that message. Being able to ask those questions and have that conversation and sit in that place of wrestling, to me, is what allows me to believe. That's so foundational. It's just the comfort that you're just not alone in that. This song, in the studio, it took a lot of pacing and really working out the rhythm. It's like somebody pacing back and forth as they're in that really hard place. It's a painful sort of honesty. This song is anchored from true stories of people that have been through really hard things that I had the honor of getting to know, and being able to write about that story just meant so much to me. I love the way that the darkness just cannot possibly stand a chance from the smallest beam of it. It just has no choice but to shrink. I love talking about light and thinking about light as a theme in writing in general. It was cool to be able to dive into that for this song, and also honoring the people who cheer us on and who are the encouragers along our path, and the way that we get be that for people too. I just think it's so important to challenge that in real life. Love is just so much bigger than what society paints it to be. Trying to keep an open heart towards all of that is important. Walking into the studio with the song, I really felt like Jay put like a leather jacket on it, metaphorically speaking. It's got this edge to it. I love the snare drum and the attitude that it just kind of brings forward. And I love the message of just holding on to the good things and the hard and not-so-fun, painful things we go through, and being able to keep the parts that shape us. I was sitting in this little apartment I was renting and just really missing my great-grandmother and my family, and just thinking about the glue that she is and how thankful I am to have lived 20 years of my life with my great-grandmother very closely. She was just an incredible woman. She'd come out to all these different fairs or festivals I'd played in Canada and sit in the front row in her lawn chair and sing along. She partied with the best of them up to, like, 80-some years old, and would be the first one waking up in the morning, cooking everybody breakfast. It maybe took me 20 minutes to write this song, and I just felt like I was getting out of the way and surrendering to that moment and letting it take over. It was very much a spiritual process. The day that we recorded this song, Jay played it with me and I sat and played my acoustic and sang into the mic at the same time, and there was a third acoustic guitar. It was just the three of us sitting in a semicircle. I took a deep breath and said a little prayer and sang the song. I've always loved that phrase. It was really fun to dance around Daniel's studio the day that we wrote it, just imagining people of every kind, just showing up and coming together. It's like you listen and even having not lived in that era, you feel like you're just walking down the spiral staircase into this mysterious and magical romantic time. We wanted to capture that feeling in a song, and we wrote it to be this duet, and it was really cool to have Keelan be able to come in and sing. That's the anchor of where the thread that goes through a lot of those songs kind of comes from, from that belief, and this one included. That story and starting from that place really, really meant so much to me, the desire to really be looking out for one another and things that we're going through. It's very much sort of anchored in this way of just being an observer and noticing really hard things. Being able to musically pair that with the anthemic production just made me so excited. I feel like that wonder and innocence is something to learn so much from. Jay had this idea to bring in this little girl to sing at the end of the record. She was Jason Hall, the engineer's, daughter and her name is Amelia. She's seven years old, and she just came and sang her heart out. I watched her stand in the vocal booth and she's all nervous, and then she just closes her eyes and sings. apple. mzstatic. fwocufqz. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. zpsmuqed. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. There's also really loud, rocking songs, and that's how they should sound. I don't think you have to try to file down the edges of things to make them palatable for every single person. I think that's where you start to lose. He was coming over, and I wrote the music kind of right before he got there. I had a real good grip on what the feel was. I had a little melody, but we didn't have a subject. He was telling me a story about this old hotel that used to be out on Dickerson Road called the Midway Motel. There was a sign there for years and they finally tore it down. That's where we eat, at this place, and where we stay, at this place. So it was sort of that story of those places on the road where you start to feel more at home and [get to] know these characters that come in and out. We did arrangements with it at just the top, just the end, and then kind of do other things in the middle. It always felt like a puzzle you were trying to force pieces into. When we did it in this arrangement, more like a group of 15- and 16-year-old kids playing in a garage for the first time, it had that real raw grit and emotion that I just felt like the song needed. I've done things that are cool. I've done things that I can be really proud of. I still want to grow. I want to push myself and all those things, but I feel like for years, I've just been unsatisfied. Something has to go wrong. It was really just a love letter to my own wellness, I guess. It's what you do. I think with time, realizing that there are these hard, really painful things that we have to do—whether that's a breakup or leaving a job or leaving a city, or a combination of all of those things. It's oftentimes still the right thing to do. It can be things as simple as during this quarantine, we watched my oldest son, who's 13 now, went off for the first time on his bike and left for the day with his friends. You have to have these moments of growth and sadness to really continue to move on. We kind of whittled on it and tried to do a more, quote unquote, radio-friendly arrangement, and it was never interesting. The guitar work was important. The girls singing that [chorus] part, it's sort of that internal voice telling you to let these things go. You sort of know it inside. It just didn't have that same effect when it was just me singing it. I really liked the effect of where it took us emotionally. And I really loved that. It's sort of the exact opposite of what we talked about with the long song. We got the whole story and a great guitar solo and outro solo, all of these things that you wanted in song, and I think it's two minutes and 11 seconds or something like that. It felt so punk rock and natural that I just loved it, so we left it alone. You start to see things crumble and that real pain that that brings when you are the one that really is sort of abandoned. There was a desperation in the recording of that one. That's a one-take vocal the whole way through. I'm real proud of that. For me, there was always this feeling of not being able to fully be vulnerable. There's so many records like that that I listened to growing up, from XTC to early Tom Petty stuff, just any of that stuff that feels like a three-minute-long, roll-the-windows-down summer radio extravaganza. I feel like we really captured that with the song. Not just that relationship, but the daughters' future relationships with her husband or partner and children and all of those things. My wife's a counselor for kids. She doesn't give me intimate details, but you're able to pick up on certain scenarios and things that we go through with our children and parents and problems and how those can be lifelong struggles. It's really just the story of a girl having to leave behind all these sort of dreamlike ideas of childhood, and realizing all of these screwups that she's going to have to go and fix. You grow up in a small town and everybody still expects that you're going to look back fondly, and that's just not the case for that character. apple. mzstatic. fokfkzrh. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. nwejfxxb. mzstatic. apple. mzstatic. mzstatic. We did probably 20 songs, and that was the first one. This kid named Santos, he sent us some loops. That was how we started making the project, because it sounded so cool. There's a punchline in probably every bar. It's a fun song to sit down and listen to and just appreciate the writing. And you can bop to it. Dalex was the one person that I said, 'Okay, he's going to sound super dope. I know he'll do a great job. I'm so happy with what he did. So we said, how about we make another beat and have a beat change so we can make it longer. That song is another vibe, it's crazy. It's two completely different beats, but it sounds so nice, both of them together. Anything he touches is gold. I really don't do a lot of happy traps like that. All of my traps are more darker than that, for the streets. And all of his traps are dark, so I thought it would be really cool to show another side, a happy side. I just feel great, I'm living life. I just want people to see that part of it. I don't do it that much, but when I do it, I like to tell a story, and I think 'Sin Ti' is a relatable story. I always try to connect with people who hear me. And that's a song that everyone goes through—you're trying to get this person's attention, but they don't want to be with you. You wake up another day without them, and it's just this never-ending sadness. It'll have people thinking about a special someone. It was just such a bummer that we had to do all this via email, but it was the first time I worked with Farruko. As a matter of fact, I wanted to have Farruko on it since the beginning. When they gave me the song back with him on it, I just heard it and I went nuts because he killed it exactly how I predicted that he would kill it. It was like the song was meant for him. I just fell in love with the song. It's a song you can just hear, not think about someone breaking your heart, but think about someone that actually makes you feels special. The beat is super wavy. I'm going to try and get someone from the US on my remix. I could say the person that I would love to have on that song, but I keep it 100 with myself. I fuck with a lot of those rappers, man. I'm just little by little getting inside to that pool. I have some stuff coming up with a lot of rappers in the US. I feel like I really can vibe with them. And when we go to the studio, it's really dope. When I actually recorded it, it didn't have a beat, only the loop. I think maybe 80 percent of the music I make, I record on loops and then they put the kicks, the hi-hats and everything. That was probably the fastest song that I wrote out of the 10. When I write, I don't write, I just hear a beat and start improvising on the mic. 'Corona Freestyle' is the perfect example of that, because the feeling I had that day was exactly the feeling I had on that song. One of those personal freestyles, but I think people will like a lot, the emotions built up after being in quarantine for a while. It's easy to sit back and just chill, hear what I have to say. It brings me back to the old school. The loop, Santos did it. The loops have so much feeling in it. I would just go in a trance and go in on the beat. They were super dope. I enjoyed making that song a lot. I think that there's so many people that need to know about that song, because it's one of my favorites. I was going to take two old songs and do a remix, but I decided to leave 'Entre Tantas' how it was. I think that people that are hearing me now should hear. Even if it's 10 years old, for me it's a classic. apple. mzstatic. 341a938306904c839f803d8ef21158dc? mzstatic. apple. mzstatic. mzstatic. Songs 1-25 is a complete ride. 99612a113ef24bd4913d4132b384704d? mzstatic. apple. mzstatic. mzstatic. Our editors add new songs to this playlist every week. If you hear something you like, add it to your library. Now get out there. 1544ab7dff45434ab1c354618ffe0aac? mzstatic. apple. mzstatic. mzstatic. 34c6bf42a176492abb918edb57b565e9? mzstatic. apple. mzstatic. mzstatic. mzstatic. 35739c7579cb4b11abcaa7e570076d3e? mzstatic. apple. mzstatic. mzstatic. e4d0cb54b9dd46648a06290ff1a90045? mzstatic. apple. mzstatic. mzstatic. You can feel it on your skin—that warm, happy feeling, half exhausted and fully content. Our editors update these tracks every week. If you hear something you like, add it to your library. Then put the thing down and check back out. b1f1cddf56b14a00b7787e55642cf4de? mzstatic. apple. mzstatic. mzstatic. Just driving around and having fun with all my friends! 6c74c5cc8cfe471da7b01026fe1e87ed? mzstatic. apple. mzstatic. mzstatic. 6cbec98d25194addb2b012e681e0eff6? mzstatic. apple. mzstatic. mzstatic. d0eab36013204644915d56e7b776eda6? mzstatic. apple. mzstatic. mzstatic. da5a10df9f434614ab4bb48ee1b62c7e? mzstatic. apple. mzstatic. mzstatic. 363485e056664efdb195030884326c13? mzstatic. apple. mzstatic. mzstatic. 0853b90bcc474bbf96e121e50126d426? mzstatic. apple. mzstatic. mzstatic. 58f8fac71d3d4995851a3179b3f6d2b0? mzstatic. apple. mzstatic. mzstatic. bd08a568ec2647d19da5891d3a4a3ebe? mzstatic. apple. mzstatic. mzstatic. Perfect for summer, or whenever you want to warm up the mood. We regularly update these selections. If something gets you on your feet, add it to your library. f7f94eb3066d4e7ab661d3664a7818e9? mzstatic. apple. mzstatic. mzstatic. f27ed614acb2429188a9d09f50caa9ff? mzstatic. apple. mzstatic. mzstatic. abbd0ac9fd2e4f11b89b97afcf580c91? mzstatic. apple. mzstatic. mzstatic. cdef53be33914355886392027fa36c75? mzstatic. apple. mzstatic. mzstatic. Slap on some sunscreen or sweatpants, or shorts, or sworts? and get into warm-weather mode with easygoing pop favorites and tried-and-true classics from summers past. Our editors regularly update this playlist, so if you hear something you love, add it to your library. mzstatic. rgb. apple. Teamed with a crew of heavy hitters — including Rihanna on a menacing love-hate ballad and Lil Wayne on a Just Blaze production sampling Haddaway — Em knocks it out of the park, mixing razor-sharp metaphors with polished pop sensibility. apple. mzstatic. ayuccyos. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. mzstatic. mzstatic. His official studio debut solidifies his moody signature sound while grappling frankly with fame, sex, and self-doubt. apple. mzstatic. rspsovgk. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. omppwbeg. apple. alone. Built on a moving power ballad, the song is elegantly trimmed with warm, rootsy instruments and powerful string arrangements. Over this, Underwood sings a gripping narrative on faith and mortality. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. sotroeja. apple. Vocalist M. Over the course of its 72 minutes, Avenged Sevenfold never falter. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. apple. mzstatic. blcfoozb. mzstatic. mzstatic. rgb. apple. The Roots' ninth studio album touches on more dark and heady subjects like loneliness, perseverance, self-abuse, war, and even aspects of existentialism. Blu, P. apple. mzstatic. iyqgwtni. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. His third album is a humid mix of new wave, psychedelia, and electro-pop whose moods flip from tender to funny to gloriously X-rated, often in the same song. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. ecbegmjj. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. Lyrically, Rascal Flatts explores the joys and sorrows of the modern-day Middle American while betraying an old-fashioned sentimental streak. Right. At its best, the album has the easy-going, warm-hearted mood of a living room jam session. apple. mzstatic. mzstatic. mzstatic. wdigxokp. apple. apple. mzstatic. bamjvzsp. mzstatic. coiryerr. apple. apple. mzstatic. mzstatic.

次の

ファイル詳細: /misc/data/forums.alienisolation.com (head)

しょ じょじ の たぬき ばやし

storefronts. editorial. groupings. extend. editorialartwork. 2cartisturl. include. 5balbums. artists. en-us. name. music. platform. mzstatic. 1518662286? apple. mzstatic. b2ed80ad411e44fdadcdb1b0e0c757ad? mzstatic. apple. mzstatic. mzstatic. As preternaturally talented New York MCs who first made their names in the post-Notorious B. era, the two have managed—near miraculously—to avoid the kind of professional squabbles that put so many fanbases at odds throughout the aughts. A great many unofficial mixtapes and playlists have featured their cuts stacked up against each other in service of an even greater number of barbershop arguments about who had the biggest impact on New York—and no less importantly, hip-hop at large. But you can reacquaint yourself with the highlights on the official Fabolous and Jadakiss Cheat Sheet playlist, as curated by Apple Music host Lowkey. And be sure to tune in for the main event, Verzuz: Fabolous x Jadakiss, on Monday, June 29, at 8 pm ET. apple. mzstatic. 5afa2dafaf1d46f5a6b34a4ef31d9a75? mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. We have the most fun when nothing is off limits. Amid it all, gorgeous saxophone solos waft across the album, transporting you straight to the streets of their hometown on a sunny day. Everything about the album was just spontaneous and about not taking ourselves too seriously. These songs are about depression, seeking help, grief, failing relationships, and health issues Este has type 1 diabetes. The album proved to be the release they needed from all of those experiences—and a chance to celebrate the unshakable sibling support system they share. We held up a mirror and took a good look at ourselves. It came out of this feeling when we were growing up that Los Angeles had a bad rep. And if LA is an eyeroll, the Valley—where we come from—is a constant punchline. But I always had such pride for this city. And then when our first album came out, all of a sudden, the opinion of LA started to change and everyone wanted to move here. The album and this song are really guitar-driven [because] we just really wanted to drive that home. Just playing it feels empowering. Este came up with just that simple bassline. And we kind of wrote the melody around that bassline, and then added those 808 drums in the chorus. Sometimes for me, being at home alone is the most comforting. We shout out Joni Mitchell in this song; our mom was such a huge fan of hers and she kind of introduced us to her music when we were really little. I'd always go into my room and just blast Joni Mitchell super loud. And I kept finding albums of hers as we've gotten older and need it now. I find myself screaming to slow Joni Mitchell songs in my car. This song is very nostalgic for her. The guitar solo alone is really fun. The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life. I love the way that the drums sound. I feel like we really got that right. That slowed-down ending is due to Ariel. I remember I had gone to go get food, and when I came back Danielle had written the bridge. Okay! There have been around 10 versions of this song. Someone was having a booty call. It was probably me, to be honest. We started out with this beat, and then we wrote the chorus super quickly. And we had to audition a bunch of dudes. They were the worst! We can tinker around with a song for years, and with this one, every time we added something or changed it, it lost the feeling. And every time we played it, it just kind of felt good. It felt like a warm sweater. The day that we started it, I was thinking that I was going to get back together with the love of my life. I mean, now that I say that, I want to barf, because we're not in a good place now, but at that point we were. We had been on and off for almost 10 years and I thought we were going to give it another try. And it turns out, the week after we finished the song, he had gotten engaged. So the song took on a whole new meaning very quickly. I think Ariel had a lot of fun producing this song. The end of the song is supposed to feel like a celebration. We wanted it to feel like a dance party. Because even though it has such a weird meaning now, the song has a hopeful message. Who knows? I am still hopeful. As sisters, we are the CEOs of our company: We have super strong personalities and really strong opinions. And finding someone that's okay with that, you would think would be celebrated, but it's actually not. It's really hard to find someone that accepts you and accepts what you do as a job and accepts everything about you. And we just wanted to keep it like that, so we played acoustic guitar straight into the computer for a very dry, unique sound that I love. This was super quick with stream-of-consciousness lyrics. I wanted it to sound like you were in the room, like you were right next to me. It's very therapeutic to just kind of scream it in song form. The backing vocals on this are like the other side of your brain. We got asked questions about it early on, and there was this one interviewer who asked if I made the faces I made onstage in bed. My defense mechanism when stuff like that happens is just to try to make a joke out of it. Now, had someone said that to me, I probably would've punched them in the face. But as women, we're taught kind of just to always be pleasant and be polite. And I think that was my way of being polite and nice. Thank god things are changing a bit. We've been talking about shit like this forever, but I think now, finally, people are able to listen more intently. We got the feeling we wanted in the first take. And I've talked to so many other women about the same experience. I hate going in the guitar stores. Whatever felt good on this track, we just put it in. The production is bananas and bonkers, but it did really feel good. But to us it was exciting to have that crazy guitar solo and those drums. And the song basically explains what it feels like and just not knowing how to get out of it. You're just kind of drowning in this relationship, because the highs are high and the lows are extremely low. And knowing that you're so hard on yourself about the littlest things. But your partner can do no wrong. But it felt like the end to the chapter of the record—a good break before the next songs, which everyone knew. And you need to get your shit together and you need to look it in the face and know that you're here and work on yourself. We're very lucky that we each have two sisters as backup always. We wrote this with our friend Tobias Jesso Jr. , and we all just decided to write verses separately, which is rare for us. I wrote about losing a really close friend of mine at such a young age and going through a tragedy that was unexplainable. I still grapple with the meaning of that whole thing. It was one of the hardest times in my life, and it still is, but I was really lucky that I had two siblings that were really supportive during that time and really helped me get through it. If you talk to anybody that loses someone unexpectedly, you really do become a different person. I feel like I've had two chapters of my life at this point: before it happened and after it happened. But we loved everything about it. You can lose your confidence really quickly, but thankfully, people really liked it. Putting out this song really did give us back our confidence. I just couldn't stop thinking about how he was feeling. I get spooked really easily, but I felt like I had to buck the fuck up and be this kind of strong figure for him. I had to be this kind of sunshine, which was hard for me, but I feel like it really helped him. Being the summer when he was just in this dark, dark place. apple. mzstatic. ppypeevv. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. He has guested on what is very likely only a fraction of the requests he received in that time, but fans would find scene-stealing verses across projects from Summer Walker, Snoh Aalegra, and the Dreamville crew, among others. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. Now you can explore seamless mixes and live sets by your favorite DJs and producers here on Apple Music. When you find a mix you like, save it to your library, and check back regularly for new additions. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. b2ed80ad411e44fdadcdb1b0e0c757ad? mzstatic. apple. mzstatic. mzstatic. As preternaturally talented New York MCs who first made their names in the post-Notorious B. era, the two have managed—near miraculously—to avoid the kind of professional squabbles that put so many fanbases at odds throughout the aughts. A great many unofficial mixtapes and playlists have featured their cuts stacked up against each other in service of an even greater number of barbershop arguments about who had the biggest impact on New York—and no less importantly, hip-hop at large. But you can reacquaint yourself with the highlights on the official Fabolous and Jadakiss Cheat Sheet playlist, as curated by Apple Music host Lowkey. And be sure to tune in for the main event, Verzuz: Fabolous x Jadakiss, on Monday, June 29, at 8 pm ET. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. itunes. apple. m3u8? itunes. apple. m3u8? mzstatic. rgb. apple. mzstatic. mzstatic. Stranger still, the audience dozed on cots. When writing, Richter consulted with sleep neuroscientist David Eagleman, folding cutting-edge research on slow-wave phases of sleep—states crucial to learning and memory—into the very shape of the piece. The slow tempo is intended to have a lulling effect, drawing listeners into drowsiness and holding them there. apple. mzstatic. eufgglod. mzstatic. mzstatic. mzstatic. apple. mzstatic. 457c8a2477be45038796305712e2d6af? mzstatic. apple. mzstatic. mzstatic. Raised on U. With songs that roll slow and lyrics that mix technical prowess with towering confidence, Megan was soon collaborating with some of contemporary rap's biggest names. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. 2b0e6e332fdf4b7a91164da3162127b5? mzstatic. apple. mzstatic. mzstatic. mzstatic. Listen to it now and add this playlist to your library to stay up on the latest must-hear new songs. f4d106fed2bd41149aaacabb233eb5eb? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. abe8ba42278f4ef490e3a9fc5ec8e8c5? mzstatic. apple. mzstatic. mzstatic. mzstatic. And if you hear something you like, add it to your library. 5ee8333dbe944d9f9151e97d92d1ead9? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Check back often, as our editors update this playlist regularly—and if you hear something you like, add it to your library. 28926c578a80475c904026ea97646ad5? mzstatic. apple. mzstatic. mzstatic. Every day new bands are taking shape and plugging in. These are the few that are destined for greatness. Formerly The A-List: Rock, this playlist is updated regularly, so if you like a song, add it to your library. 87bb5b36a9bd49db8c975607452bfa2b? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. It tends to get the crowd going from the start. I hope that people can find strength in this song. Check back here early and often, and if you hear something you like, add it to your library. 0e91490f3310408eb1186fc9befb3d11? mzstatic. apple. mzstatic. mzstatic. Songs and sounds of the moment, if not the next. 6bf4415b83ce4f3789614ac4c3675740? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Then, late this winter, during a writing session with CamelPhat, the Foals frontman found his moment. fecfa8a26ea44ad581d4fe501892c8ff? mzstatic. apple. mzstatic. mzstatic. In other words, certain types of pop music can speak to the heart in ways that make you feel grateful just to be alive. From soaring ballads to surging dance anthems with touches of electronic and indie rock, here are the biggest tracks inspiring us today: the sound of good news. Our editors update these tracks regularly. If you hear something you like, add it to your library. 4b364b8b182f4115acbf6deb83bd5222? mzstatic. apple. mzstatic. mzstatic. mzstatic. R mixtape, the Colombian artist recruits Maluma, Nicky Jam, Sech, and the aforementioned Balvin for this expansive version. This playlist is updated often, so if you hear something you like, add it to your library. 0b593f1142b84a50a2c1e7088b3fb683? mzstatic. apple. mzstatic. mzstatic. So check back often, and if you hear something you like, add it to your library. b7ae3e0a28e84c5c96c4284b6a6c70af? mzstatic. apple. mzstatic. mzstatic. 58c2477d86ea46db997048afd159d01d? mzstatic. apple. mzstatic. mzstatic. Our editors update these tracks every week. If you find a new favorite to crank, add it to your library. 5cb9c0f3ca9d4fc1bccbaf67ca6201e7? mzstatic. apple. mzstatic. We'll update this playlist often, so if you hear something you like, add it to your library. 07405f59596b402385451fa14695eec4? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Rhythmically daring and emotionally intense, today's jazz is an art that perpetually surprises and evolves. Our editors regularly refresh this playlist. If you like a track, add it to your library. 51c1d571cc7b484eb1dead1939811f2d? mzstatic. apple. mzstatic. mzstatic. Fortunately, heavy music's new class keeps plenty of huge riffs and rage-worthy choruses coming every week—and we've collected the best and most brutal of 'em here. Our editors regularly update this playlist. If you hear a track you like, add it to your library. eb88af9a17e6401da701a7e768e2d53c? mzstatic. apple. mzstatic. mzstatic. But you also like rap. And rock, and even a little electronic. Come to think of it, who put all these boundaries up in the first place? Our editors are updating tracks all the time, so if you hear something you like, add it to your library. c91209d0acdd4aa789b11ca9ec351028? mzstatic. apple. mzstatic. mzstatic. From open-arms guitar anthems to leftfield dance, intimate folk-rock to pop pastiche, here's an eclectic set of tracks that capture that indie spirit, whether made by its long-standing ambassadors or their modern-day acolytes. Our editors regularly refresh this playlist. If you like a song, add it to your library. 6e8b41fadbe0454abeb3f98ce5296818? mzstatic. apple. mzstatic. Updated weekly. f19f6b5be8474fe789e36a6242f6113e? mzstatic. apple. mzstatic. mzstatic. mzstatic. We update this collection every week. If you like a track, add it to your library. mzstatic. apple. mzstatic. mzstatic. We have the most fun when nothing is off limits. Amid it all, gorgeous saxophone solos waft across the album, transporting you straight to the streets of their hometown on a sunny day. Everything about the album was just spontaneous and about not taking ourselves too seriously. These songs are about depression, seeking help, grief, failing relationships, and health issues Este has type 1 diabetes. The album proved to be the release they needed from all of those experiences—and a chance to celebrate the unshakable sibling support system they share. We held up a mirror and took a good look at ourselves. It came out of this feeling when we were growing up that Los Angeles had a bad rep. And if LA is an eyeroll, the Valley—where we come from—is a constant punchline. But I always had such pride for this city. And then when our first album came out, all of a sudden, the opinion of LA started to change and everyone wanted to move here. The album and this song are really guitar-driven [because] we just really wanted to drive that home. Just playing it feels empowering. Este came up with just that simple bassline. And we kind of wrote the melody around that bassline, and then added those 808 drums in the chorus. Sometimes for me, being at home alone is the most comforting. We shout out Joni Mitchell in this song; our mom was such a huge fan of hers and she kind of introduced us to her music when we were really little. I'd always go into my room and just blast Joni Mitchell super loud. And I kept finding albums of hers as we've gotten older and need it now. I find myself screaming to slow Joni Mitchell songs in my car. This song is very nostalgic for her. The guitar solo alone is really fun. The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life. I love the way that the drums sound. I feel like we really got that right. That slowed-down ending is due to Ariel. I remember I had gone to go get food, and when I came back Danielle had written the bridge. Okay! There have been around 10 versions of this song. Someone was having a booty call. It was probably me, to be honest. We started out with this beat, and then we wrote the chorus super quickly. And we had to audition a bunch of dudes. They were the worst! We can tinker around with a song for years, and with this one, every time we added something or changed it, it lost the feeling. And every time we played it, it just kind of felt good. It felt like a warm sweater. The day that we started it, I was thinking that I was going to get back together with the love of my life. I mean, now that I say that, I want to barf, because we're not in a good place now, but at that point we were. We had been on and off for almost 10 years and I thought we were going to give it another try. And it turns out, the week after we finished the song, he had gotten engaged. So the song took on a whole new meaning very quickly. I think Ariel had a lot of fun producing this song. The end of the song is supposed to feel like a celebration. We wanted it to feel like a dance party. Because even though it has such a weird meaning now, the song has a hopeful message. Who knows? I am still hopeful. As sisters, we are the CEOs of our company: We have super strong personalities and really strong opinions. And finding someone that's okay with that, you would think would be celebrated, but it's actually not. It's really hard to find someone that accepts you and accepts what you do as a job and accepts everything about you. And we just wanted to keep it like that, so we played acoustic guitar straight into the computer for a very dry, unique sound that I love. This was super quick with stream-of-consciousness lyrics. I wanted it to sound like you were in the room, like you were right next to me. It's very therapeutic to just kind of scream it in song form. The backing vocals on this are like the other side of your brain. We got asked questions about it early on, and there was this one interviewer who asked if I made the faces I made onstage in bed. My defense mechanism when stuff like that happens is just to try to make a joke out of it. Now, had someone said that to me, I probably would've punched them in the face. But as women, we're taught kind of just to always be pleasant and be polite. And I think that was my way of being polite and nice. Thank god things are changing a bit. We've been talking about shit like this forever, but I think now, finally, people are able to listen more intently. We got the feeling we wanted in the first take. And I've talked to so many other women about the same experience. I hate going in the guitar stores. Whatever felt good on this track, we just put it in. The production is bananas and bonkers, but it did really feel good. But to us it was exciting to have that crazy guitar solo and those drums. And the song basically explains what it feels like and just not knowing how to get out of it. You're just kind of drowning in this relationship, because the highs are high and the lows are extremely low. And knowing that you're so hard on yourself about the littlest things. But your partner can do no wrong. But it felt like the end to the chapter of the record—a good break before the next songs, which everyone knew. And you need to get your shit together and you need to look it in the face and know that you're here and work on yourself. We're very lucky that we each have two sisters as backup always. We wrote this with our friend Tobias Jesso Jr. , and we all just decided to write verses separately, which is rare for us. I wrote about losing a really close friend of mine at such a young age and going through a tragedy that was unexplainable. I still grapple with the meaning of that whole thing. It was one of the hardest times in my life, and it still is, but I was really lucky that I had two siblings that were really supportive during that time and really helped me get through it. If you talk to anybody that loses someone unexpectedly, you really do become a different person. I feel like I've had two chapters of my life at this point: before it happened and after it happened. But we loved everything about it. You can lose your confidence really quickly, but thankfully, people really liked it. Putting out this song really did give us back our confidence. I just couldn't stop thinking about how he was feeling. I get spooked really easily, but I felt like I had to buck the fuck up and be this kind of strong figure for him. I had to be this kind of sunshine, which was hard for me, but I feel like it really helped him. Being the summer when he was just in this dark, dark place. apple. mzstatic. ppypeevv. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. In Association with Night Time Stories, Ltd. The result is their most direct work to date. apple. mzstatic. zeqspjxw. mzstatic. rgb. apple. mzstatic. mzstatic. He has guested on what is very likely only a fraction of the requests he received in that time, but fans would find scene-stealing verses across projects from Summer Walker, Snoh Aalegra, and the Dreamville crew, among others. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. apple. mzstatic. pdagxjol. mzstatic. mzstatic. mzstatic. mzstatic. apple. apple. mzstatic. zavsxmva. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. apple. mzstatic. ecydthof. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. nhcuhbsu. That voice which seems like it fell off of the classic rock convoy of 1972, but crossed with the gruff soul men of a generation before. It's hard not to feel something when he sings. LaMontagne knows this, but he doesn't go overboard. There's always that possibility that he could jump into the fire like Joe Cocker used to, but LaMontagne instead deals with musical atmospheres that revel in their love for soul and folk music, keeping things roots-y and never over the top. His voice and his songs simply add one more layer to the down-home, soulful mix. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. apple. mzstatic. glcjiktl. mzstatic. apple. mzstatic. mzstatic. She consistently looks to the mirror first for answers, for clarity, for grace. Despite the sometimes heavy subject matter, UMI's music is beatific; her voice is feather-light and seems to float across productions that are equally mellowed. Levity exists in sound and lyric like peace offerings to both self and listeners. Hers isn't music for hurting but for healing. apple. mzstatic. mzstatic. apple. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. All rights reserved. Producer Jay Joyce listened to the impassioned way that Townes strummed her songs on acoustic guitar, and added a kinetic sense of rhythm. I love the way the music makes me feel around that message. Being able to ask those questions and have that conversation and sit in that place of wrestling, to me, is what allows me to believe. That's so foundational. It's just the comfort that you're just not alone in that. This song, in the studio, it took a lot of pacing and really working out the rhythm. It's like somebody pacing back and forth as they're in that really hard place. It's a painful sort of honesty. This song is anchored from true stories of people that have been through really hard things that I had the honor of getting to know, and being able to write about that story just meant so much to me. I love the way that the darkness just cannot possibly stand a chance from the smallest beam of it. It just has no choice but to shrink. I love talking about light and thinking about light as a theme in writing in general. It was cool to be able to dive into that for this song, and also honoring the people who cheer us on and who are the encouragers along our path, and the way that we get be that for people too. I just think it's so important to challenge that in real life. Love is just so much bigger than what society paints it to be. Trying to keep an open heart towards all of that is important. Walking into the studio with the song, I really felt like Jay put like a leather jacket on it, metaphorically speaking. It's got this edge to it. I love the snare drum and the attitude that it just kind of brings forward. And I love the message of just holding on to the good things and the hard and not-so-fun, painful things we go through, and being able to keep the parts that shape us. I was sitting in this little apartment I was renting and just really missing my great-grandmother and my family, and just thinking about the glue that she is and how thankful I am to have lived 20 years of my life with my great-grandmother very closely. She was just an incredible woman. She'd come out to all these different fairs or festivals I'd played in Canada and sit in the front row in her lawn chair and sing along. She partied with the best of them up to, like, 80-some years old, and would be the first one waking up in the morning, cooking everybody breakfast. It maybe took me 20 minutes to write this song, and I just felt like I was getting out of the way and surrendering to that moment and letting it take over. It was very much a spiritual process. The day that we recorded this song, Jay played it with me and I sat and played my acoustic and sang into the mic at the same time, and there was a third acoustic guitar. It was just the three of us sitting in a semicircle. I took a deep breath and said a little prayer and sang the song. I've always loved that phrase. It was really fun to dance around Daniel's studio the day that we wrote it, just imagining people of every kind, just showing up and coming together. It's like you listen and even having not lived in that era, you feel like you're just walking down the spiral staircase into this mysterious and magical romantic time. We wanted to capture that feeling in a song, and we wrote it to be this duet, and it was really cool to have Keelan be able to come in and sing. That's the anchor of where the thread that goes through a lot of those songs kind of comes from, from that belief, and this one included. That story and starting from that place really, really meant so much to me, the desire to really be looking out for one another and things that we're going through. It's very much sort of anchored in this way of just being an observer and noticing really hard things. Being able to musically pair that with the anthemic production just made me so excited. I feel like that wonder and innocence is something to learn so much from. Jay had this idea to bring in this little girl to sing at the end of the record. She was Jason Hall, the engineer's, daughter and her name is Amelia. She's seven years old, and she just came and sang her heart out. I watched her stand in the vocal booth and she's all nervous, and then she just closes her eyes and sings. apple. mzstatic. fwocufqz. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. zpsmuqed. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. There's also really loud, rocking songs, and that's how they should sound. I don't think you have to try to file down the edges of things to make them palatable for every single person. I think that's where you start to lose. He was coming over, and I wrote the music kind of right before he got there. I had a real good grip on what the feel was. I had a little melody, but we didn't have a subject. He was telling me a story about this old hotel that used to be out on Dickerson Road called the Midway Motel. There was a sign there for years and they finally tore it down. That's where we eat, at this place, and where we stay, at this place. So it was sort of that story of those places on the road where you start to feel more at home and [get to] know these characters that come in and out. We did arrangements with it at just the top, just the end, and then kind of do other things in the middle. It always felt like a puzzle you were trying to force pieces into. When we did it in this arrangement, more like a group of 15- and 16-year-old kids playing in a garage for the first time, it had that real raw grit and emotion that I just felt like the song needed. I've done things that are cool. I've done things that I can be really proud of. I still want to grow. I want to push myself and all those things, but I feel like for years, I've just been unsatisfied. Something has to go wrong. It was really just a love letter to my own wellness, I guess. It's what you do. I think with time, realizing that there are these hard, really painful things that we have to do—whether that's a breakup or leaving a job or leaving a city, or a combination of all of those things. It's oftentimes still the right thing to do. It can be things as simple as during this quarantine, we watched my oldest son, who's 13 now, went off for the first time on his bike and left for the day with his friends. You have to have these moments of growth and sadness to really continue to move on. We kind of whittled on it and tried to do a more, quote unquote, radio-friendly arrangement, and it was never interesting. The guitar work was important. The girls singing that [chorus] part, it's sort of that internal voice telling you to let these things go. You sort of know it inside. It just didn't have that same effect when it was just me singing it. I really liked the effect of where it took us emotionally. And I really loved that. It's sort of the exact opposite of what we talked about with the long song. We got the whole story and a great guitar solo and outro solo, all of these things that you wanted in song, and I think it's two minutes and 11 seconds or something like that. It felt so punk rock and natural that I just loved it, so we left it alone. You start to see things crumble and that real pain that that brings when you are the one that really is sort of abandoned. There was a desperation in the recording of that one. That's a one-take vocal the whole way through. I'm real proud of that. For me, there was always this feeling of not being able to fully be vulnerable. There's so many records like that that I listened to growing up, from XTC to early Tom Petty stuff, just any of that stuff that feels like a three-minute-long, roll-the-windows-down summer radio extravaganza. I feel like we really captured that with the song. Not just that relationship, but the daughters' future relationships with her husband or partner and children and all of those things. My wife's a counselor for kids. She doesn't give me intimate details, but you're able to pick up on certain scenarios and things that we go through with our children and parents and problems and how those can be lifelong struggles. It's really just the story of a girl having to leave behind all these sort of dreamlike ideas of childhood, and realizing all of these screwups that she's going to have to go and fix. You grow up in a small town and everybody still expects that you're going to look back fondly, and that's just not the case for that character. apple. mzstatic. fokfkzrh. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. nwejfxxb. mzstatic. apple. mzstatic. mzstatic. We did probably 20 songs, and that was the first one. This kid named Santos, he sent us some loops. That was how we started making the project, because it sounded so cool. There's a punchline in probably every bar. It's a fun song to sit down and listen to and just appreciate the writing. And you can bop to it. Dalex was the one person that I said, 'Okay, he's going to sound super dope. I know he'll do a great job. I'm so happy with what he did. So we said, how about we make another beat and have a beat change so we can make it longer. That song is another vibe, it's crazy. It's two completely different beats, but it sounds so nice, both of them together. Anything he touches is gold. I really don't do a lot of happy traps like that. All of my traps are more darker than that, for the streets. And all of his traps are dark, so I thought it would be really cool to show another side, a happy side. I just feel great, I'm living life. I just want people to see that part of it. I don't do it that much, but when I do it, I like to tell a story, and I think 'Sin Ti' is a relatable story. I always try to connect with people who hear me. And that's a song that everyone goes through—you're trying to get this person's attention, but they don't want to be with you. You wake up another day without them, and it's just this never-ending sadness. It'll have people thinking about a special someone. It was just such a bummer that we had to do all this via email, but it was the first time I worked with Farruko. As a matter of fact, I wanted to have Farruko on it since the beginning. When they gave me the song back with him on it, I just heard it and I went nuts because he killed it exactly how I predicted that he would kill it. It was like the song was meant for him. I just fell in love with the song. It's a song you can just hear, not think about someone breaking your heart, but think about someone that actually makes you feels special. The beat is super wavy. I'm going to try and get someone from the US on my remix. I could say the person that I would love to have on that song, but I keep it 100 with myself. I fuck with a lot of those rappers, man. I'm just little by little getting inside to that pool. I have some stuff coming up with a lot of rappers in the US. I feel like I really can vibe with them. And when we go to the studio, it's really dope. When I actually recorded it, it didn't have a beat, only the loop. I think maybe 80 percent of the music I make, I record on loops and then they put the kicks, the hi-hats and everything. That was probably the fastest song that I wrote out of the 10. When I write, I don't write, I just hear a beat and start improvising on the mic. 'Corona Freestyle' is the perfect example of that, because the feeling I had that day was exactly the feeling I had on that song. One of those personal freestyles, but I think people will like a lot, the emotions built up after being in quarantine for a while. It's easy to sit back and just chill, hear what I have to say. It brings me back to the old school. The loop, Santos did it. The loops have so much feeling in it. I would just go in a trance and go in on the beat. They were super dope. I enjoyed making that song a lot. I think that there's so many people that need to know about that song, because it's one of my favorites. I was going to take two old songs and do a remix, but I decided to leave 'Entre Tantas' how it was. I think that people that are hearing me now should hear. Even if it's 10 years old, for me it's a classic. apple. mzstatic. 341a938306904c839f803d8ef21158dc? mzstatic. apple. mzstatic. mzstatic. Songs 1-25 is a complete ride. 99612a113ef24bd4913d4132b384704d? mzstatic. apple. mzstatic. mzstatic. Our editors add new songs to this playlist every week. If you hear something you like, add it to your library. Now get out there. 1544ab7dff45434ab1c354618ffe0aac? mzstatic. apple. mzstatic. mzstatic. 34c6bf42a176492abb918edb57b565e9? mzstatic. apple. mzstatic. mzstatic. mzstatic. 35739c7579cb4b11abcaa7e570076d3e? mzstatic. apple. mzstatic. mzstatic. e4d0cb54b9dd46648a06290ff1a90045? mzstatic. apple. mzstatic. mzstatic. You can feel it on your skin—that warm, happy feeling, half exhausted and fully content. Our editors update these tracks every week. If you hear something you like, add it to your library. Then put the thing down and check back out. b1f1cddf56b14a00b7787e55642cf4de? mzstatic. apple. mzstatic. mzstatic. Just driving around and having fun with all my friends! 6c74c5cc8cfe471da7b01026fe1e87ed? mzstatic. apple. mzstatic. mzstatic. 6cbec98d25194addb2b012e681e0eff6? mzstatic. apple. mzstatic. mzstatic. d0eab36013204644915d56e7b776eda6? mzstatic. apple. mzstatic. mzstatic. da5a10df9f434614ab4bb48ee1b62c7e? mzstatic. apple. mzstatic. mzstatic. 363485e056664efdb195030884326c13? mzstatic. apple. mzstatic. mzstatic. 0853b90bcc474bbf96e121e50126d426? mzstatic. apple. mzstatic. mzstatic. 58f8fac71d3d4995851a3179b3f6d2b0? mzstatic. apple. mzstatic. mzstatic. bd08a568ec2647d19da5891d3a4a3ebe? mzstatic. apple. mzstatic. mzstatic. Perfect for summer, or whenever you want to warm up the mood. We regularly update these selections. If something gets you on your feet, add it to your library. f7f94eb3066d4e7ab661d3664a7818e9? mzstatic. apple. mzstatic. mzstatic. f27ed614acb2429188a9d09f50caa9ff? mzstatic. apple. mzstatic. mzstatic. abbd0ac9fd2e4f11b89b97afcf580c91? mzstatic. apple. mzstatic. mzstatic. cdef53be33914355886392027fa36c75? mzstatic. apple. mzstatic. mzstatic. Slap on some sunscreen or sweatpants, or shorts, or sworts? and get into warm-weather mode with easygoing pop favorites and tried-and-true classics from summers past. Our editors regularly update this playlist, so if you hear something you love, add it to your library. mzstatic. rgb. apple. Teamed with a crew of heavy hitters — including Rihanna on a menacing love-hate ballad and Lil Wayne on a Just Blaze production sampling Haddaway — Em knocks it out of the park, mixing razor-sharp metaphors with polished pop sensibility. apple. mzstatic. ayuccyos. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. mzstatic. mzstatic. His official studio debut solidifies his moody signature sound while grappling frankly with fame, sex, and self-doubt. apple. mzstatic. rspsovgk. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. omppwbeg. apple. alone. Built on a moving power ballad, the song is elegantly trimmed with warm, rootsy instruments and powerful string arrangements. Over this, Underwood sings a gripping narrative on faith and mortality. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. sotroeja. apple. Vocalist M. Over the course of its 72 minutes, Avenged Sevenfold never falter. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. apple. mzstatic. blcfoozb. mzstatic. mzstatic. rgb. apple. The Roots' ninth studio album touches on more dark and heady subjects like loneliness, perseverance, self-abuse, war, and even aspects of existentialism. Blu, P. apple. mzstatic. iyqgwtni. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. His third album is a humid mix of new wave, psychedelia, and electro-pop whose moods flip from tender to funny to gloriously X-rated, often in the same song. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. ecbegmjj. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. Lyrically, Rascal Flatts explores the joys and sorrows of the modern-day Middle American while betraying an old-fashioned sentimental streak. Right. At its best, the album has the easy-going, warm-hearted mood of a living room jam session. apple. mzstatic. mzstatic. mzstatic. wdigxokp. apple. apple. mzstatic. bamjvzsp. mzstatic. coiryerr. apple. apple. mzstatic. mzstatic.

次の